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Another Crossing tells the stories of an individual life, of a family, of the communities of Chapeltown and Harehills, and of crucial moments in the making of Leeds as a place where cultures meet. In poetry that sings from the page, the collection re-creates places that have been swept away by time, like the house on 56 Cowper Street where Kadijah Ibrahiim's Jamaican grandmother lived, where there was black pride and Victorian respectability, where there were aunts who gave the young girl a cultural education, where her grandfather entertained his friends in the sanctum of the West Indian front room. Or there was her mother's house on Gathorne Mount, a place that moved to the looser beat of ...
"The Elect is a timely and abrasive satire on the new imperialism of the fundamentalist Christian sects of North American which have swept through the Caribbean, claiming an exclusive possession of the truth, demanding absolute obedience from their followers and threatening the cultural independence of the region"--Page 4. of cover.
In Zion Roses, her second collection, Monica Minott's poems grasp the reader's attention with a voice that is distinctively personal, both taut and musical--and tender and muscular when the occasion demands. Her language moves seamlessly and always appropriately between standard and Jamaican patwa, a reflection of a vision that encompasses a Black modernity still very much in touch with its aphoristic folk roots, where the ancestral meets Skype or a Jonkonnu band is stuck in a Kingston traffic jam. It is possible to see Minott's poems as being in a constant dialogue between four quadrants of engagement: with history, with landscape, with personal and family experience, and with the worlds of...
The short story has been integral to the development of Caribbean literature, and continues to offer possibilities for invention and reinvigoration. As the most comprehensive study of its kind, this important and timely volume explores the significance of the short story form to Caribbean cultural production across the twentieth and twenty-first centuries. The twenty original essays collected here offer a unique set of inquiries and insights into the historical, cultural and stylistic characteristics of Caribbean short story writing. The book draws together diverse critical perspectives from established and emerging scholars, including Shirley Chew, Alison Donnell, James Procter, Raymond Ramcharitar and Elaine Savory. Essays cover the publishing histories of specific islands; intersections of the local, global and diasporic; treatments of race and gender; language, orality and genre; and cultural contexts from tourism to calypso to cricket. Book jacket.
A pan-Caribbean anthology of original short stories culled from the very best entries to the Commonwealth Short Story Prize.
Unfolding within a framework of two tumultuous weeks, this novel tells of the struggle for autonomy of both a young woman and a repressed country. Interweaving the young woman's gradual growth to consciousness with the death of the British plantation system, this story portrays the demise of an economic and political system paralleling the development of an individual. While presenting Caribbean politics in an understandable way, this tale also includes insight into Afro-Indian relations, traditional healing practices, and family relationships.
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A collection of imaginative and witty poems, this work displays astonishing energy; beauty of expression; and a range of reference to contemporary life, history, art, and literature. Including both meditative and narrative poems, this volume frequently focuses on extreme situations where compassion, love, and individual determination triumph against all odds. "Daphne’s Lot” explores the life of an Englishwoman, the poet’s mother, as she is caught up in the madness of the Nigerian civil war, while "Buffalo Women”--an epistolary sequence of poems--follows two lovers mired by the American Civil War. Through irony and empathy, this collection presents characters who are at odds with their societies.
Featuring poems from: Danielle Boodoo-Fortuné, Danielle Jennings, Ruel Johnson, Monica Minott, Debra Providence, Shivanee Ramlochan, Colin Robinson, and Sassy Ross. With a preface by Kwame Dawes. With a generous sample from each poet, this anthology is an opportunity to discover some of the best, new, previously unpublished voices from the Caribbean. This is a generation that has absorbed Derek Walcott, Kamau Brathwaite, Martin Carter, and Lorna Goodison, while finding its own distinctive voice. Peekash Press is a collaboration between Akashic and UK-based publisher Peepal Tree Press, with a focus on publishing writers from and still living in the Caribbean. The debut title from Peekash, Pe...